Phaser
EffectsphaserModerate CPU
All-pass sweep, 1–8 poles. Rate + Depth + Feedback.
What it does
Classic all-pass phaser sweep.
Wraps daisysp::Phaser. Number of all-pass stages (1–8) and the centre frequency are set at init; LFO Rate (Hz), Depth and Feedback are audio-rate.
Parameters
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Poles
polesHow many all-pass stages the signal passes through, 1 to 8. Each stage adds another notch to the comb, so more poles means a denser, deeper and more obviously swirling effect, while one or two stages is a gentle movement you might not consciously notice. ⚠ Baked at build time. More poles also cost more CPU, since every stage is filtering every sample.
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Centre (Hz)
apFreqThe centre frequency the sweep moves around, in Hz. It decides which part of the spectrum the notches live in: low values act on the body of a sound and give a thick, syrupy swirl, while high values sit up in the presence region and sound airier and more like shimmer. ⚠ Baked at build time.
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Rate (Hz)
rateHow quickly the notches sweep up and down, in Hz. Fractions of a Hz give the slow drifting movement that suits pads; a few Hz becomes an obvious pulsing. Per-sample, so wiring the port lets an envelope or another LFO drive the speed.
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Depth
depthHow far the notches travel from the centre frequency on each sweep. Small values keep the movement local and subtle; large values sweep across a wide range and make the effect unmistakable. At 0 the notches stand still and the tile becomes a fixed filter colouration rather than a phaser.
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Feedback
feedbackHow much of the output is routed back into the all-pass chain, which sharpens the notches into resonant peaks. Low values are broad and gentle; higher values make each notch narrow and vocal, so the sweep sounds more like it is singing than washing. Per-sample, so it can be modulated.
All-pass-network sweep. Poles + centre frequency are baked at init; Rate/Depth/Feedback are per-sample (modulatable). More poles = deeper notches.
Ports
In
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Audio In
input -
Rate
rate -
Depth
depth -
Feedback
feedback
Out
-
Audio Out
output
Audio Control
Inputs
- Audio In
- Source.
- Rate
- LFO frequency in Hz.
- Depth
- Sweep depth, 0–1.
- Feedback
- Resonance, 0–1.
Outputs
- Audio Out
- Phased signal.